We've got a real throwback here, a lost world thriller set in the Venezuelan jungle and featuring an expedition to the mysterious Autana: a jagged plateau shot through with caves that are supposedly home to Cuyakiare, a surviving Tyrannosaur. Add some very modern terrorism to the mix and author "Richard Owen" seems ready for blast off.
It's too bad, then that the most interesting thing about the story is the background of its author: Richard Owen is a pseudonym for writers Dennis Fawcett and David Nott, of whom there's not a lot of information about online. The original Richard Owen, of course, was a pioneering paleontologist who coined the word dinosaur, and Fawcett and Nott also reference some paleontological history with their background on character Page Foster's great-grandfather Egil Edward Foster, who's a Cope and/or Marsh type trailblazer of American paleontology. Writer Morgan used some of great-granddad's crackpot ideas about surviving dinosaurs to juice a bestseller about the Autana, so now he feels some kind of way about helping out Page on an expedition to find Cuyakiare.
It's all a lot of cute set building that feels wasted on the resulting story, which is strangely overpacked yet empty, with the terrorist subplot and endless jungle trekking that drags on and on. It even opens on a dud note with lots of arguing back and forth between Morgan and his editor about whether he's going to cover Cuyakiare or the terrorist plotting over Prince Karim of El Hajjaz, a tiny Emirates country - his entourage is in town in Caracas to work out some deals over oil. The terrorism is masterminded by "Emiliano," an obvious reference to Carlos the Jackal.
After a lot of plot and not a lot of payoff, the mighty Cuyakiare finally gets a big to-do, and, well ... he does alright. After all that build up, the beast munches on some terrorists and stalks about a big cave like a lesser Harryhausen set piece. And speaking of such things ...
As we traipse through the jungle with Morgan and Foster the story starts to feel like one of those low budget '80s Italian sci-fi/action films - something like Top Line or Alien Contamination, which padded out intermittent special effects with cheap location shooting and would-be screwball dialogue between the leads. David Warbeck would have been great as the put-upon Morgan, and why not pair him with his costar from The Beyond, Catriona MacColl? Maybe director Antonio Margheriti could have contributed some scale model FX and a scary T-Rex, too! Maybe, maybe ...
A novel doesn't have the budgetary concerns of a film, though, so it's pretty sad that Fawcett and Nott's scenery feels so impoverished. How come there aren't any other dinosaurs, for one? A Kirkus review from 1977 calls the novel a "shaggy-dinosaur love story" and damns it with faint praise as a "winningly mindless adventure-romance." I would drop the "winningly" from that description ...
On a final note, the paperback artwork does Morgan dirty: one of the more endearing parts of the novel is how he's a middle-aged schlub, not a he-man adventurer type. Page is also noted as having dark hair, not blonde as the cover shows. Fawcett and Nott's The Eye of the Gods limps to a miserable 1/4 rating: all wind up and no pitch.
This title is available to read and download at archive dot org.
Signet Books, 1979 (original pub. 1977)












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