We're on a kick with these Macklin collections, which are a rush of fresh air after one too many duds from the likes of Brad Steiger and Warren Smith. Macklin once again presents a bunch of ghost stories as "true case studies" from his files - Macklin being a pseudonym, this is a delightful bit of fakery and primes us for some enjoyable drama.
Standout chapters include "Bird of Death" and "The Curse of the Chinese Magician." The "Bird of Death" is a quickie chapter that simply nails the maybe-fiction formula, with a frightening specter and a neatly done twist.
The "Chinese Magician" chapter, meanwhile, hinges on a family never translating the Chinese characters on a cursed plate. Of course nowadays we could just point our phone at it! Macklin lets the weight of history settle on his stories, for the better: the family's cursed in the first place because their patriarch "Sir William Belford" is an attache to the British embassy, and players in the court of the Empress Dowager Cixi would like some revenge for the Opium Wars and national humiliation that China had been put through. As Britain moves through the years to WWI and WWII, the curse unfolds with historical precision. Another sign of the times: Macklin calls Cixi "Tzui Hsui" in the old Wade-Giles style.
"The Pointing Bones" is another good chapter, creatively describing an Aboriginal death curse against a wealthy sheep farmer, with a climax at a horse race - Steiger would never go the extra mile here! In general Macklin writes with a great deal more subtlety than Steiger ever bothered to, not always giving us the easy answers or such neatly wrapped up storylines. Sometimes, even in fiction, the unknown is truly that.
This volume is very light on real (or "real") Forteana, but does feature the channeling musician George Aubert, who (supposedly!) was able to play music from the greats like Mozart and Bach without any training, and indeed without any control over what exactly he played. Aubert is poorly documented online: he makes a brief appearance in this article by one Melvyn J. Willin for the Journal of the Society of Psychical Research, and in this thesis, also by Willin. I'm assuming that Macklin's grisly end for Aubert (slashing his own throat in an alley after his gift has failed to enrich him) is a bit of dramatic license. Either way, poor Aubert.
True to maybe-fiction style, Macklin doesn't cite many of his sources for the true story chapters - though the final, very beefy chapter, about "An Age-Old Power Beyond All Reason," does cite such historical figures as Paul Le Jeune, Henry Schoolcraft, and Sir Cecil Denny, as Macklin explores Amerindian and First Nations healing and cursing. Macklin also references The Role of Conjuring in Saulteaux Society by Alfred Irving Hallowell - though he misspells Hallowell's name as Hollowell!
It's not all pale faces in this final chapter: Macklin names one Wan-Chus-Co, former medicine man turned Christian convert, which leads us to a writeup by one William Johnson in an old French publication from 1871 titled the Revue Spirite Journal D'Etudes Psychologiques, available in more readable form at this link. Who knows how many more dusty journals and brittle old books Macklin paged through to whip up his chapters ... all we have in the current moment is this volume in front of us.
The back cover promised that Macklin "soars beyond the horizon into the shadows of silent, endless nights" ... well, he's knocked another one out of the park, anyways! Or if that's too hyperbolic, at the very least, he's hit a triple. This title is available to read and download at archive dot org.
Ace Books, 1970
